BACK IN HONG KONG

So I am back in the old +852! 

...INDEFINITELY...

(cue scary music)

I have been settling in for the past couple of weeks, unpacking my millinery equipment in the office, purchasing more up-to-date electronics (ones that don't overheat after 10 minutes or don't connect to the internet) so that I can do useful PR things like facebooking, tweeting, instagram-ing, pinterest-ing and blogging!

I am also currently in HATWOMAN! I opened the shop for the first time and it was... exhilarating.

So much POWER!!! ...It may go to my head.

I have a couple of other full days in the shop while The Mother is away, and I also need to prepare a small stock of fascinators to be on sale at the HATWOMAN pop-up shop at this year's ShaTin Jockey Club races! (Where I will also be hanging out - Saturday 12th October, Sunday 27th October and Sunday 3rd November!)

THANKYOU, THANKYOU VERY MUCH!

I'M HERE ALL WEEK!

...MONTH...

...YEAR...

...S...

xxx

Summer Summary

Here is a late summary of the project I was doing over this past summer:

I started off very well, as you might have seen from my first blog post - drawing out designs, creating them, etc. etc. Pretty quickly, though, I became very very behind schedule.

On one particular Saturday, I was so eager to get to the beach, I bashed out 3 hats in a couple of hours. .....Predictably, they were shit.

Like this one.

Close to the end of my estimated schedule, I was 10 hats behind - a whole week! I spent the 7th week, making all the 60's and the 70's, trying desperately hard to catch up and be on time. The next Monday, I made two more, still on schedule at 82... then on Tuesday I found out that the whole thing wasn't happening anymore. 

AAAAARRRGGHH.

Admittedly, I knew from the beginning that it wasn't set in stone. In fact, it was a very offhand comment made by somebody almost a year ago; there was a very large possibility that they wouldn't take the hats, even if I made them. However, they scrapped the entire thing this year, so it wasn't a case of they saw the hats I'd produced, thought they were hideous and went with someone else.

How do I feel about it? Well at the time I was bummed, feeling like I'd wasted my summer... Thinking about it though, I hurried through some of them, and am kind of relieved they won't see the light of day. Besides, it was fun to have to make something in bulk and have a schedule to keep to! 

Also, a few of them are on sale at the Hatwoman pop-up shop at the Hong Kong horse racing in Shatin, four of which have already gone! Hooray!

The whole 84 of them... somehow made 2 more than I thought... are available to see here on Facebook:

https://www.facebook.com/media/set/?set=a.306553822775973.63858.193675597397130&type=1

For the ones that aren't being sold by Hatwoman, they are either going to be dismantled and used for parts (the ones I made that Saturday, for instance), or to be sold separately, if I can pull it off!

Am now studying for a Higher Diploma in Millinery at the Kensington and Chelsea College (previously the HNC... still the same course, but due to government funding the college have changed the title so the students don't have to pay through the nose - sweeeet). More on that later.

If you're keen on buying any of the remaining ones, let me know by contacting me on Facebook or Twitter!
Here, have another photo!

Hatwoman

I AM A MILLINER. I AM. NO, REALLY.

I made the decision to go into millinery almost with a shrug and a non-committal "Meh. I could do that..." After acquiring a Bachelor's degree in Art History at the University of Nottingham, I, like most of my friends, was nowhere close to knowing what I wanted and millinery seemed as plausible an option as any. But as I've progressed over the past year, learned the basics, gained experience and begun to develop my own style, I've come to realise - I fucking LOVE IT.

It all began, as it often does, with My Mother. She decided a couple of years ago, suddenly and without warning, that she should start wearing a hat every day. In part because it was more flattering, and partly because it doubled as a tool to disguise yourself in plain sight. Unfortunately now, as one of the only regular hat wearers in Hong Kong, that second point has probably been rendered null and void. At first I thought she was just asserting her right to be a little bit odd, and I chuckled and went along with it. Now, of course, I realise she was ahead of the curve. As per usual. Or, depending on how you look at it, waaayyy behind the curve. People gave up wearing hats on a daily basis in the 1960's, when the fashions at the time began to focus on hair and the shapes created by stylists like Vidal Sassoon. Indeed, the millinery industry has mostly survived on the back of traditional events that require wearing hats; weddings, races and the like. As a being that puts little to no effort into taming her hair/mane, or care when applying make-up, hats are the simplest and most fabulous solution, darling.

After a short while, it dawned on Mother Dear that it was nigh on impossible to find quality hats in Hong Kong, and she needed to take matters into her own hands if she was going to be Odd But Cool. She dreamed of a magical place, a place where fashion pilgrims could come and stand in awe at the heretofore unheard-of collection of beautiful, sculptural, functional, bizarre, but all hand crafted, completely individual pieces of millinery. April 2010: the dream becomes a reality. If you believe this to be an exaggeration, go check it out for yourself - HATWOMAN, SHOP 209, MAN YEE ARCADE, 68 DES VOEUX ROAD CENTRAL, HONG KONG. And if you're not lucky enough to live in Hong Kong, take a gander at the website: http://www.hatwoman.hk/eng/index.html

This astonishing and sudden move by Mother Darling simultaneously seemed idiosyncratic and made perfect sense. Ever since retiring from soliciting - hee hee - I mean lawyerdom, and during the years she was a foreign office spouse to My Father, she had visualised several business ideas that she would occasionally vaguely pursue. Until Hatwoman, none of these venture seedlings ever developed further than the germination stages and when she finally followed through, I was delighted. Proud. Inspired.

I've always been more creative than academic; I think it was obvious from the get-go that Big Bro had acquired all the brains in that department... The memory of Mama trying to teach me to read springs to mind. I believe she worried that if I was having trouble reading Ant and Bee at the age of two, I would be destined for a life working behind the counter at a fast food chain. So, when Hatwoman opened at the long-awaited close of my academic career, I knew instantly that millinery would be something I would enjoy, and something that I suspected I might be good at. This statement, even now, when I have been making hats for a year, still feels uncomfortably cocky.

However, whether I myself am good or not, the subtle power of hats is undeniable. Wearing them continues to be edgy and unusual - people today seem to believe that it requires a certain amount of confidence. This is not so - while wearing a hat attracts more attention, it can also be used to either create a flattering light on your face, or as a shield to hide completely, if you're in that kind of mood. Hats can be used to make you confident. Mysterious. Coy. Invisible. Alarming. Anything you want.

After a year, and for the foreseeable future, I remain in love with the fashion, the art, the design and the creation that makes up the millinery world. And My Mother remains my inspiration.